CREATIVEDRIVE: GIVING A CONTENT GIANT A HUMAN VOICE
ROLE: CREATIVE DIRECTOR, BRANDED CONTENT
WORK: FILMS, INTERVIEWS, INTERNAL NARRATIVE, EXTERNAL POSITIONING
OUTCOME: CULTURE → BRAND → ACQUISITION FUEL
THE SITUATION
CreativeDrive was a factory. A fast, scalable, frighteningly efficient content pipeline.
Clients loved the output.
Creatives saw an existential threat.
The brand had no identity - just velocity.
THE TASK
Turn an invisible vendor into a visible creative ally.
Give a machine a face.
Give a pipeline a point of view.
Make people feel something other than fear of automation.
THE PLAY
I built a branded content series that stripped away the corporate varnish and showed the organism underneath:
short films, weird collaborations, human stories, and creators telling the truth about how the work actually gets made.
Ray Parker Jr. in the studio.
KINGS OF SPANK being joyfully unhinged.
Manhattan makeup artists improvising art.
A chorus of makers reminding the industry what creativity feels like.
Every piece shifted perception:
from throughput → culture
from pipeline → people
from threat → curiosity.
THE RESULT
Those films didn’t just introduce a brand voice - they became the brand voice.
They helped reposition the company from commodity vendor to creative partner.
The shift contributed to a $300M acquisition by Accenture, tripling the enterprise pipeline and proving that culture isn’t decoration -it’s leverage.
*please note that CreativeDrive was acquired by Accenture in 2020 and all of its sites were subsumed under AccentureSong, which prioritized different goals.
THE DANCE CREW - KINGS OF SPANK
THE MUSIC LEGEND - GHOSTBUSTERS’ OWN RAY PARKER
THE AI EXPERT - NEAL CONLON
THE CREATIVE DIRECTOR - ECD FRANK TARTAGLIA
THE DESIGNER - JOSUE GARRO
THE MAKEUP ARTIST - MAHFUD
IN THE DRIVER SEAT - LIZ
IN THE DRIVER SEAT - BLAKE
IN THE DRIVER SEAT - ESTEFFANIA
WOMEN OF CREATIVEDRIVE
CREATIVEDRIVE REEL