CREATIVEDRIVE: GIVING A TECHNOLOGY COMPANY A HUMAN VOICE


 CORPORATE HUMANIZATION BY WAY OF ACTUAL HUMANS. 


ROLE: CREATIVE DIRECTOR, BRANDED CONTENT
WORK: FILMS, INTERVIEWS, INTERNAL NARRATIVE, EXTERNAL POSITIONING
OUTCOME: CULTURE → BRAND → ACQUISITION FUEL

CreativeDrive was a technology company. Its proprietary software, VIEW and later CORACGI, ran content production at scale: fast and frighteningly efficient.

Clients liked the output. Creatives saw a machine with no one inside it. The company described itself as “scale and speed,” which told them there was no room for taste or authorship.

Corporate messaging wasn’t going to fix that.
Proof of humanity might. So I built a branded content series that showed the people inside the machine: short films, interviews, weird collaborations and creator-led stories about how the work actually got made.

Ray Parker Jr. in the studio. KINGS OF SPANK, joyfully unhinged. Manhattan makeup artists improvising art. Taste on display instead of claims.

The films became the brand’s voice. Inside the company and in the market, CreativeDrive went from invisible vendor to visible creative partner, and that shift fed the momentum that ended in Accenture’s 2020 acquisition.



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THE DANCE CREW - KINGS OF SPANK

THE MUSIC LEGEND - GHOSTBUSTERS’ OWN RAY PARKER

THE AI EXPERT - NEAL CONLON

THE CREATIVE DIRECTOR - ECD FRANK TARTAGLIA

THE DESIGNER - JOSUE GARRO

THE MAKEUP ARTIST - MAHFUD

IN THE DRIVER SEAT - LIZ

IN THE DRIVER SEAT - BLAKE

IN THE DRIVER SEAT - ESTEFFANIA

WOMEN OF CREATIVEDRIVE

CREATIVEDRIVE REEL